In the early stages of Marvin Gaye’s career, he was a session
drummer and singer for the Motown label in the early 1960’s for artists like
Smokey Robinson & the Miracles. His marriage to Anna Gordy, sister of Berry
Gordy, helped mold the chances of his career actually launching. Gaye had faced
many adversities in his life, but his hardest one to face was finding the voice
he needed to make an impact. Working with Gordy on projects and trying to
release that “One great song” was difficult. The demand was high for commercial
music and Gaye was not sure he could do it. Marvin was known to be a doo-wop
singer in his early years, and the demand for something greater was upon him.
During the time that Marvin Gaye started creating What’s
Going On, other personal problems in his life was affecting him. His
marriage to Anna was crumbling, which hit him hard. His desire to have more
free-reign over his work left him under so much pressure to create greatness.
Since 1964, Gaye was revered as a crooner, based on the many duets he had
performed with various artists. This style was not going to be what he wanted
on What’s Going On. The introduction to a more percussion based band
element, emotionally and politically motivated vocal creation and lyric content
faced the issues that he felt were spiritually connected and driven. Drug
abuse, political corruption, poverty and environmental discrimination were
among the inspiration for the album, but it faced so much controversy and
resistance. “The ambitions and complexity
of What's Going On baffled Berry Gordy, who initially refused to
release the LP; he finally relented, although he maintained that he never
understood the record's full scope.”
(
Ankeny, J 2012)
The production of What’s Going On was the main element that
was different from anything that Motown did before. For the most part, the
music that Marvin Gaye sang in his early career established him as a “sex
symbol” and his voice would melt hearts. This new music was harsh and soulful,
utilizing more Jazz-style instrumentation, mixed with heavier, and more exotic,
percussion sounds. The lyric content was sad and soulful, but a message was
relayed that others did not feel was appropriate for the commercial market.
The other aspect that was ideal was the production quality. The
earlier production quality was magnificent, even for the time. Gaye utilized
his knowledge of the early recordings he had done and put that to work for him
to make an even more rich sound that filled the minds, and not just the ears.
As an industry professional, singer and listener, I can
appreciate every element of the What’s Going On album. Times were hard
everywhere and the thought of losing family and loved one’s during the time of
war was on everyone’s minds. Gaye expressed how sorrowful the events at that
time were. This opened eyes and minds to try to ask the questions that nobody
was brave enough to do. Remembering the lyrics and hanging on every word was
common for most artists, but Gaye captivated countries with his songs.
I
Hey Keith,
ReplyDeleteGreat post. This was a really engaging read. I especially think your portrayal of Marvin as a 'teen-idol' developing into a more staunch and serious musical figure is very accurate. Also nice point about the percussion section becoming a higher priority in Gaye's music when he switched to a more serious sound. It ushered in modern R&B--not too much drums, like hip hop, but a laid back and groovable sound. You make good points regarding the emotional importance of the album, which I agree was it's most important aspect. Listening to "What's Going On' is definitely a somber but rewarding experience. Very nice post.
Keith, I think you captured the essence of Marvin Gaye’s career very well. I also found it compelling that the subject matter of What’s Going On was controversial and not originally approved of by the powers that be of the Motown label. In spite of the fears of Marvin’s evolution, it mirrored that of the nation, making him a cultural icon the world over. I try to keep this in mind as I work with artists and balance the business side of things with the creative and artistic aspects of my work. The biggest hits and the greatest impacts come from innovation and change, and being part of the common mind. Artist usually find this easier to do than business execs. Creating a balance of business success and artistic freedom that leads to success in business is what I strive for.
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